You might as well hear the news straight from the horse's mouth, or so the saying goes and is going tonight: I was very happy to be flying under the radar of the flu/cold causing viruses floating around London infecting my friends. But my luck didn't hold. Those little pests found me. In an act of defiance at not wanting to let them ruin my last week-plus of London explorations (which they have been disrupting since Thursday), I accepted my friend Beth's last-minute invitation to join her for a bit of London theatre, courtesy of a generous friend of hers.
Cold or no cold, how could I say no to enjoying one of the very-London things I haven't yet partaken of these three months past? So I said yes. And am very glad I did (especially if I wake up miraculously mucus-free in the morning). Beth and I found our ways separately (her by bus, me by DLR) to a hidden gem of a performance space that would have been a treat in itself even if the play had been rubbish, which it wasn't, of course.
On tap was The Cordelia Dream, a production by the Royal Shakespeare Company. It's too late and I'm coughing too much to try to offer a review of the play, so I'll just say: it was interesting, intense, dramatic and worth seeing. And it was especially worth seeing at Wilton's Music Hall, a nearly derelict old space with a colorful history that folks are trying to keep alive. Far from the glitz and the suffocating, look-how-fashionable-I-am crowds of theatre central around Leicester (pronounced "Lester," just for future don't-sound-like-a-tourist tips when you visit London) Square, the hall is tucked inside a brick-paved pedestrian road called "Grace's Alley." As you walk down Cable Street in East London toward Ensign Road, there are no real clues that you're anywhere near a theatre. Which means you feel like you've been let in on a secret when you pass through its barnlike and almost miss-able main doors into the warm yellow glow inside. And perhaps you have. One of the best kinds of secrets.
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