As images of Haiti's newest devastation trickle in, the photograph that has thus far resonated most for me in terms of representing this newest chapter in Haiti's hard story is this picture of the collapsed top levels of Haiti's National Palace. (Photo also available here.)
One day at the end of the month I spent in Haiti in July 2008, my Haitian-American friend Jack took me on a field trip to downtown Port-au-Prince, an area that had been the site of riots over food shortages a few months earlier. Even among some of the missionaries this was an area that didn't have the best of reputations. Jack knew the lay of this part of the city's land, though, so we hopped aboard a tap-tap that would take us from Petionville to next-door Port-au-Prince.
After nearly four weeks in Haiti, I had been impressed by all the things that don't make it into the bits of news we usually get from the country. I had met Haitians who were working hard for their communities and families. On two occasions new Haitian acquaintances who learned that I was in Haiti as a journalist asked me to tell stories of the good things in Haiti, too, rather than only telling the same stereotypical stories that are always told.
By the time I sat on the tap-tap, frustration was formulating over the reality that the only thing most of America and probably most of the so-called developed world routinely hears about Haiti is that it's the poorest country in the Western Hemisphere. This is how the country is identified in nearly every news article that covers anything that happens in the country, which usually means some sort of natural disaster or an account of more political instability. These things are true, but Haiti is much more than these things alone.
And so, on that late July day when I stood in front of the National Palace that I had not previously heard of or seen images of (apparently not as famous as its White House cousin in America) I was surprised by its beauty. I loved its architecture and its gleaming white facade, even its nicely contrasting green iron fence. Regardless of whatever political realities it represented, for me it represented the unexpected beauty I had found in Haiti. It symbolically said that Haiti is not only poor, make-shift shacks stacked upon each other. There is hope for Haiti yet, it said, because there's beauty, pride, ability and hard-working humanity here.